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Wichita Street Fair & Carnival

May 14, 2019 by Jim Potter 6 Comments

http://jimpotterauthor.com/wp-content/uploads/2019/05/Wichita-Street-Fair-Carnival.mp3

· 1899 Pin-Back Buttons ·

1 3/4″ diameter pin-back button from the collection of Morgan Williams

A couple of weeks ago, I received two electronic images of exaggeration postcards and one of a collector pin-back button. They were sent by an old-time collector but new friend, Morgan Williams. He co-authored an excellent book on exaggeration postcards in 1990 titled, Larger than Life: The American Tall-Tale Postcard, 1905-1915.

Williams is fascinated with exaggeration images even before they first appeared on postcards in 1906.

The image that created the greatest interest to me, and I don’t collect pinned buttons, was a photograph of a button dated from the year 1899. It illustrated two carnival clowns, holding a giant ear of corn almost as tall as them and with this inscription: “Wichita’s Street Fair & Carnival, Oct, 16-21.” In the background is the Arkansas River and a silhouette of city buildings, including two with active smokestacks, no doubt promoting the city as a thriving metropolis (population 24,671 in 1900).

Since historical research is one of my favorite hobbies, I checked on the Kansas Historical Society’s website and was soon reading a Wichita Daily Beacon newspaper from 1899. By the way, back then the paper cost ten cents a week delivered by a carrier (2019 purchasing power $3.06).

I had never heard of the Wichita Street Fair & Carnival, but I was familiar with and have attended the city’s Riverfest Festival (begun in 1972).

Both public events, over a hundred years apart, had a common goal—promoting Wichita. In the process, the community has been brought together, increasing community pride.

It wasn’t long before I’d read a week of newspapers beginning on October 16th. The long list of exhibits and events promoting Wichita was comparable to the “official” Kansas State Fair, held in Hutchinson since 1913.

1899 Pin-back button from the collection of Hal Ottaway

In Hutchinson the exhibitors set up on spacious grounds while in Wichita the activities were in the heart of the city from Main and William, south to English, east to Market, and west back to William.

Today some schools in Reno County give the children a day off for “Fair Day” while other schools organize field trips to the State Fair. In 1899 the Wichita school district also encouraged the youth to attend by having half-days off school Monday through Thursday and no school on Friday.

The Wichita Street Fair of 1899 had agricultural exhibits including poultry and colorful displays of fruit, while local businesses heavily promoted their wares.

For the fair and carnival, the city streets were illuminated by 4,000 electric lamps.

Santa Fe Railway exhibit, “King Corn,” during Wichita’s 1899 Street Fair & Carnival. Photograph compliments of the Wichita-Sedgwick County Historical Museum

The Santa Fe Railway exhibit was considered the most elaborate with a depiction of “King Corn.” The immense figure of the king sat on a massive throne holding his scepter. The distance from his crown to the ground was 32 feet. The figure, throne, and pavilion were all decorated in corn. Inscriptions bragged that “Kansas leads all the states” and that it “harvests one-sixth of the U.S. corn crop.”

Some of the entertainment was advertised as free. The daily balloon ascensions, one during the day, the other at night, were by Baldwin and Carrow at the corner of Elm and Main Streets. The aeronauts carried trained animals, which like their trainers, made parachute descents.

“Itrebo” the trapezist and tight rope performer gave illuminated appearances on a wire stretched from the top of Hotel Metropole to the top of the C. E. Potts Drug Company building.

There was also a snake charmer, Madame Winona. Unfortunately, she was bitten by one of her copperheads. Fortunately, she survived after her hand had swollen “many times its natural size.”

There were parades with elaborate floats, especially the huge Flower Parade, and there were band concerts.

Wichita Street Fair & Carnival button from 1899. Shows a monkey painting a street grid of town in red. Scripted below: “I want to tell you on the dead everything I saw in Wichita was Red.” 1 3/4″ diameter. From the collection of Hal Ottaway.

On the first night of the street fair it was estimated that 15,000 people attended. By the end of the first annual event, one reporter guessed a total of 185,000 people had walked through the street fair arch during the week, 42,000 of them having ridden the train. It was unofficial, maybe even exaggerated, but it was estimated that the fair brought over $700,000 to Wichita (2019 purchasing power $19,600,000).

During my reading of a week of ancient newspapers, I discovered two brief articles that referred to the street fair and carnival badges or buttons. I learned the buttons were sold for ten cents each and that there were at least four versions, only two being “official” and designed by decorator Searle. Apparently, unlike Riverfest, the buttons were purchased only as souvenirs.

Today, if you’re interested in owning a Wichita Street Fair and Carnival button from 1899 or from the street fairs during the early 1900’s, be prepared to spend more than ten cents. Online the prices range from $90-$160.

Until next time, happy writing and reading!

 

 

 

 

 

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Filed Under: Blog posts Tagged With: 1905-1915, Baldwin and Carrow, decorator Searle, Hal Ottaway, Itrebo, Jim Potter, Kansas Authors Club, Kansas State Fair, King Corn, Larger Than Life: The American Tall-Tale Postcard, Morgan Williams, Riverfest Festival, Wichita 1899 Street Fair and Carnival, Wichita Daily Beacon, Wichita Street Fair and Carnival, Wichita-Sedgwick County Historical Museum

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Reader Interactions

Comments

  1. Alex says

    May 15, 2019 at 9:13 am

    The more things change… !

    Reply
    • Jim Potter says

      May 15, 2019 at 9:38 am

      . . . the more they’re the same!

      Reply
  2. Hal Ottaway says

    May 15, 2019 at 10:36 am

    Hello Jim. Love your review of the Wichita Carnival and Street Fair for 1899…this is pretty amazing…and all of the events and things to see and do. WHAT FUN it must have been to go with family and friends and to see what Wichita was like. Many visitors would have been from rural areas, and this exploring must have been exciting for everyone. Nice how you were able to include the buttons and picture of the event. Thanks very much. Hal

    Reply
    • Jim Potter says

      May 15, 2019 at 12:18 pm

      Hal, thanks for your positive feedback. And thanks again for providing me photos of your button collection. I only used two because I decided to limit my essay to the 1899 Street Fair. Jim

      Reply
  3. Bill says

    May 15, 2019 at 6:21 pm

    Fascinating! Simply fascinating!

    Reply
    • Jim Potter says

      May 16, 2019 at 6:53 am

      Yes, history and stories are all around us!

      Reply

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Denise Low, author of Jackalope (Red Mountain Press)

Jim Potter is a cop, retired, but he brings deep understanding of this job to his novel Taking Back the Bullet: Trajectories of Self-Discovery. This layered novel has literary dimensions as characters explore crisis situations. Congratulations to this fine writer for his debut novel.

Rebecca from Proud Police Wife

Taking Back the Bullet is an emotional, yet captivating novel. Jim Potter does a superb job of intertwining each character and putting their individual identities on display. All law enforcement storylines are a true reflection of Potter’s years as a police officer because they are realistic and relatable. This is a book I highly recommend.

Dennis Perrin, educator

Masterful storytelling, exquisite character development, so real as to HURT and HOPE, a real page turner. Begs for stage, screenwriters, and visual episodic development a.k.a. TV series . . . Thanks Jim Potter for telling it like it is AND providing us visions of how it could be. Well done!

Rebecca Schillaci

As a former law enforcement officer, I found the story very relatable as it details the life of a law enforcement officer and the struggles some face throughout their careers. . . Taking Back the Bullet is a journey of understanding, respect, and forgiveness . . .

Sheryl Remar

I enjoyed the different stories of this book because Tom, James, and Suanna, the three main characters, represent in their own way the different struggles with themselves and society’s idea of what is normal.

John & Cindy Morrill, 20 years Air Force retired, 17 years law enforcement

I enjoyed your book. When I am looking for a new read, I always read the first page, last page and choose a random page somewhere in the middle before I decide to buy it. You had me on all three pages. I also like reading a book where you can relate to the characters and the settings in which they live and work. It makes a story more realistic if you can say, I am familiar with the area; I know where that town is or I have traveled that street. It was easy to relate to the characters. In one way or another, I have met them all somewhere in my journeys.

Judy Hawk

. . . I was impressed with the Native American information as well as the depth of character development . . . .

Wynona Winn, PhD, retired school superintendent

Three main characters walk different paths but with the same destination – each coping with his or her self-discovery, self-identity, and self-realization. Much like their earlier counterparts – Huck Finn and Holden Caulfield – their journeys are often joyous, often tedious and often tragic.

Diana Dester

Good story line, building the characters along the way. Great job!

Deb Theis, LSCSW, clinical therapist/hypnotherapist

Jim Potter has done it again! After his book, Cop in the Classroom: Lessons I’ve Learned, Tales I’ve Told, Jim has written another great work. In Taking Back the Bullet: Trajectories of Self-Discovery, Jim Potter takes us on an insightful journey into the lives and relationships of numerous characters. Jim is such a talented storyteller that the reader quickly becomes immersed and has a ‘bonding experience’ with each of the characters, feeling their joy, fear, passion and pain. Jim’s novel speaks to the empowerment of persistence with the characters as they work through their trials. As a therapist, I appreciated the heartfelt struggles from each of the characters and their diversity. I also found value in the novel’s understanding of society’s misunderstanding of both mental health and other conditions in which people struggle. The novel contains rich exposure to various realities that many of us do not know about . . . but should. When I finished this captivating novel, I was wanting to read the sequel! It was an honor and a wonderful, mesmerizing experience reading this book. Congratulations, Jim!

Jane Holzrichter

I finished it last night around midnight. What a great piece of work. It kept me intrigued all the way to the end.

Sean McArdle, Winchester, England

Retired police officer Potter’s novel centres on very disparate characters and through the tried and tested means of gradually introducing each one, builds a sense of anticipation about what is going to happen to them. This often used methodology is not easy to do well but is superbly handled by Potter who knows how to give enough detail to bring the characters to life, yet not too much so as to slow down the pace of the developing story. A climactic event affects the main characters and it is at this point Potter’s deep knowledge of people and police procedures really hits home; page by page we read how a seemingly simple, though terrible occurrence, can have huge consequences. To Potter’s credit the story does not have a completely conclusive or simplistic ending. Instead it leaves the reader thinking about how the events of a single minute can affect lives forever. I would whole heartedly recommend this book not as a crime novel or even as a novel about crime but as a beautiful and positive affirmation about what it is to be human and how ultimately it is relationships which matter more than events.

Morgan Penner

Taking Back the Bullet is a novel that provides the reader with a window into the world of law enforcement. As the novel unfolds, the reader is able to see how split-second decisions alter the lives of the main characters in the story. Taking Back the Bullet also explores how humanity is impacted by mental illness. One of my favorite quotes from Taking Back the Bullet is “We’re all just a critical moment from being disabled or mentally ill, and we don’t want to think about it.” The novel also provides the reader an opportunity to gain a better understanding of how mental illness impacts the individuals, their family, friends, and society. Taking Back the Bullet is a story of forgiveness and overcoming life’s struggles and tragedies.

Steve Becker

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Larry Kruckman, anthropologist

Jim Potter displays ethnographic skills in Taking Back the Bullet: Trajectories of Self-Discovery, creating vivid scenes and fascinating characters. The Greeks had a word for subcultures and people’s behavior: ‘ethos,’ or ‘ways of being.’ In colorful, sometimes marvelous detail, this novel captures various people and settings . . . the ethos of rural Kansas: a jail, art fair, powwow, rehab center, courtroom, albinos, and even someone in the throes of postpartum depression. So detailed are the descriptions that they must be drawn from the author’s personal experience. Besides the artfully created characters such as the struggling jailer and husband Tom Jennings, local artist Jesse Thomas, and Native American Joe Morningcloud, there is a tight story line that grabs your attention and won’t let go. Human tensions, love, conflict, joys and sorrows are all there. Magically, all the many pieces come together in a final crescendo, giving hope that even when we find ourselves in big trouble we can survive. This is a novel I highly recommend!

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Karleen Wilson-Moon

Terrific story relevant to today’s social issues . . . well written . . . likable characters . . . insightful perspective from an insider in law enforcement.

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