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Creative Non-Fiction

August 28, 2019 by Jim Potter 8 Comments

http://jimpotterauthor.com/wp-content/uploads/2019/08/Creative-Non-Fiction.mp3

· Western Kansas Photo Club ·

I’m a postcard collector and historian who loves reading, research, and writing. As a result, I’ve been curious about some early-day Kansas photographers who created some of the postcards in my collection. Now that I know these people better, I’m ready to share some of the conversations they might have had.

The following is a story with real people and events. The meeting actually took place.

Let me set the scene for you.

Photographers from Kansas during late 1914 are gathering at Larned to organize the Western Kansas Photo Club.

You’ll meet the young and talented Sydney Ulsh, new owner of the Conard Studio who is hosting the meeting. Later, but beyond this portion of the essay, Syd Ulsh and Frank Conard will talk about advertising before the group discusses lighting, posing, and operating.

Lt. William J. Wood, Kansas National Guard recruiter from Great Bend, is in charge of the club business.

Will Kirch, about 1907, lived near Dighton, Lane County, Kansas. (Lane County Library)

Will Kirch and his wife Mae live in Bucklin, and since their marriage three years earlier, are working together to grow their business.

Two characters mentioned, but who have no lines in this entry, are brothers W.B. Conard and Frank Conard. W.B. recently sold the gallery where the meeting is taking place. He and his family are in California. Brother Frank, who has just purchased his own photography studio in Garden City, rounds out the half-dozen characters.

                                  ***

Western Kansas Photo Club, October 1914

Will and his wife Mae were early for the meeting, having made the trip from Bucklin to Larned a day earlier.

“I like what Syd has done with the studio,” said Mae, as she continued scanning the room, smelling the fresh paint, and touching the smooth, colorful wallpaper.

“Yes, he’s investing in his future,” agreed Will. “The public may think that W.B. and Syd are still partners, but it’s pretty clear that this place won’t be called Conard Studio forever.”

“I still can’t believe that W.B. and Predetta decided on moving to California,” said Mae. “Once they made up their minds, it didn’t take long for them to sell their beautiful house and furniture. I wonder how Little Carl is handling the big city and a new school.”

“Babe, that boy’s got to be fifteen,” said Will. “In my day, he would have been out on a harvest crew already. School would be a distant memory. But, I haven’t heard anything about the boy; maybe Frank will have an update. W.B. and Predetta did this once before, long before you met them. They took off for Colorado Springs. For a time, W.B. clerked in a hardware store.”

“Yes, he told me. Do you think they’ll ever move back?” asked Mae, remembering the kindness Predetta had shown her.

“Oh, sure; he’ll be alright for a couple of years, but I can’t see how investing in an insurance agency compares to photography. I guess he could start a photo business out there. That might satisfy him.”

“Here comes Sydney,” said Mae, patting her hair.

“Be nice,” said Will, “but not too nice.”

“Honey, I’m always nice.”

“Welcome Mae,” said Sydney; “hello again Will. Lovely hat, Mae.”

“Thank you, Syd,” replied Mae, as she touched the silk velvet of her modern hat with both hands. “It was half-price at Landawer’s Mercantile.”

Did you stay at the L’Grande?” continued Sydney.

“Yes, we had good service, thanks,” said Mae. “I love what you’ve done with the studio, especially the operation room.”

“Thanks, we should have new scenery within a couple of weeks to go along with the newest portfolio.”

“Syd, congratulations,” said Will. “After Frank hired me in February to take some home portraiture’s for a while, I knew you were the real thing, despite your age.”

“Listen old man, how old are you, anyway?”

“He just turned thirty-six!” said Mae, giggling. “Like my mother, I like ‘em old.”

“Thirty-six!” exclaimed Sydney, “you must be a war veteran. Did you fight with Colonel Roosevelt at San Juan Hill or get any good photographs of him leading the charge? If not, there’s always trick photography. It could become a popular stamp picture.” 

“Pardon me,” said Lt. William J. Wood. “Did I hear someone say they’re ready to join the Rough Riders? We need more men so we can be better prepared to protect our southern border and to fight our next war.”

“Hello lieutenant, or should I call you president?” said Will.

“I’m not club president yet,” said Wood. “We’ll see soon enough.”

“You know my wife, Mae, don’t you?”

“Oh, yes, I’ve had the pleasure. Mrs. Kirch, you may recall telling me of your fine engagement at the opera house.”

“You sing?” asked Sydney.

“Heavens no!” replied Mae. “Mr. Wood is displaying his sense of humor. In 1907, Pawnee County held their commencement exercises at the opera house. I gave a speech.”

“Will, you know how to pick’em,” said Wood. “Top of her academic class.”

“Thank you, Mr. Wood,” offered Mae. “You’re very kind and you have an excellent memory.”

“She’s also skilled with children’s portraiture,” offered Will. “Having been a school teacher makes her more comfortable with the little ones. I’m better with houses and farms.”

“My, you’re multi-talented! We could use you to help with Army recruitment,” said Wood.

“How’s the recruiting going, lieutenant?” asked Sydney.

“I’m afraid we’ve got a long way to go before we can get a regiment together,” answered Wood. “We need more men and we need them soon. We want to get organized before another regiment gets ahead of us. It’s more than pride; it affects the quality of our equipment and orders.”

“How safe is our border?” asked Will.

“That depends on the border town and the day of the week. I’m not sure which is worse, the Mexican government troops or the rebels. Whether you want to think about it or not, we’ve got to get control of this. Europe is heating up and we shouldn’t be distracted.”

“Thanks Lt. Wood, sorry I brought it up just before our meeting,” said Will.

“It’s important,” said Wood. “I could talk all day about the Kansas National Guard, but I promised Syd and Frank we’d get started promptly since they’re presenting today.” Wood nodded to both Kirches and said, “Like you two, people have traveled some distance. And thanks for agreeing to hold office. You’ll make fine club officers, I’m sure.”

“There’s my good friend, Frank,” said Will. “He might get the award for traveling the furthest distance. Garden City’s not across the street.”

Just then the blast of another Santa Fe train whistle announced an imminent departure from the city.

“Let’s get this show on the road,” said Lt. Wood.

Until next time, happy writing and reading!

Thanks to Ruby Dutoit Martin, Director of the Lane County Library, for sharing the reproduced book photograph of a young Will Kirch, Dighton, KS.

 

 

 

 

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Filed Under: Blog posts Tagged With: Carl Conard, Colonel Roosevelt, Conard Studio, F. D. Conard, Frank Conard, historical research, Jim Potter, Kansas, Kansas photographers, L'Grane Hotel, Landawer Mercantile, Lane County Library, Larned, Lt. William J. Wood, Mae Besore Kirch, Mae Kitch, Predetta Conard, Rough Riders, Ruby Dutoit Martin, Santa Fe Railway, W.B. Conard, Western Kansas Photo Club, Will Kirch, William Conard, William J. Wood, William Kirch

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Reader Interactions

Comments

  1. Alex says

    August 28, 2019 at 8:57 am

    I love this glimpse back to creativity! If you’re not listening to the excellent reading in the recorded podcast you’re really missing out! So good!

    Reply
    • Jim Potter says

      August 28, 2019 at 9:03 am

      Thank you!

      Reply
  2. Hal Ottaway says

    August 28, 2019 at 11:31 am

    I do believe Jim Potter must have been at that meeting of area photographers, don’t you? This reads like he was taking notes that day. What a nice experience to be there with you.

    Reply
    • Jim Potter says

      August 28, 2019 at 3:32 pm

      Thanks, Hal.

      Reply
    • Natalee Ganyon says

      September 11, 2019 at 8:16 pm

      another good one! takes one back and yet I think you were there! humm?? well. I guess it is a bit before your time. 😉

      Reply
      • Jim Potter says

        September 11, 2019 at 8:38 pm

        Thanks, Natalee. Just a bit before my time. Time travel would be interesting. Until then, I can read yesteryear’s newspapers. Jim

        Reply
  3. H.B. Berlow says

    August 28, 2019 at 6:22 pm

    If ONLY we could have been there and not just the proverbial fly on the wall. I am glad to see you perpetuate the idea of the importance of history. I hope more people can feed off of your passion.

    Reply
    • Jim Potter says

      August 28, 2019 at 6:52 pm

      Thanks, H.B. I appreciate your ability to write historical novels! Thanks for sharing that gift. WOW!

      Reply

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What People Are Saying

Denise Low, author of Jackalope (Red Mountain Press)

Jim Potter is a cop, retired, but he brings deep understanding of this job to his novel Taking Back the Bullet: Trajectories of Self-Discovery. This layered novel has literary dimensions as characters explore crisis situations. Congratulations to this fine writer for his debut novel.

Rebecca from Proud Police Wife

Taking Back the Bullet is an emotional, yet captivating novel. Jim Potter does a superb job of intertwining each character and putting their individual identities on display. All law enforcement storylines are a true reflection of Potter’s years as a police officer because they are realistic and relatable. This is a book I highly recommend.

Dennis Perrin, educator

Masterful storytelling, exquisite character development, so real as to HURT and HOPE, a real page turner. Begs for stage, screenwriters, and visual episodic development a.k.a. TV series . . . Thanks Jim Potter for telling it like it is AND providing us visions of how it could be. Well done!

Rebecca Schillaci

As a former law enforcement officer, I found the story very relatable as it details the life of a law enforcement officer and the struggles some face throughout their careers. . . Taking Back the Bullet is a journey of understanding, respect, and forgiveness . . .

Sheryl Remar

I enjoyed the different stories of this book because Tom, James, and Suanna, the three main characters, represent in their own way the different struggles with themselves and society’s idea of what is normal.

John & Cindy Morrill, 20 years Air Force retired, 17 years law enforcement

I enjoyed your book. When I am looking for a new read, I always read the first page, last page and choose a random page somewhere in the middle before I decide to buy it. You had me on all three pages. I also like reading a book where you can relate to the characters and the settings in which they live and work. It makes a story more realistic if you can say, I am familiar with the area; I know where that town is or I have traveled that street. It was easy to relate to the characters. In one way or another, I have met them all somewhere in my journeys.

Judy Hawk

. . . I was impressed with the Native American information as well as the depth of character development . . . .

Wynona Winn, PhD, retired school superintendent

Three main characters walk different paths but with the same destination – each coping with his or her self-discovery, self-identity, and self-realization. Much like their earlier counterparts – Huck Finn and Holden Caulfield – their journeys are often joyous, often tedious and often tragic.

Diana Dester

Good story line, building the characters along the way. Great job!

Deb Theis, LSCSW, clinical therapist/hypnotherapist

Jim Potter has done it again! After his book, Cop in the Classroom: Lessons I’ve Learned, Tales I’ve Told, Jim has written another great work. In Taking Back the Bullet: Trajectories of Self-Discovery, Jim Potter takes us on an insightful journey into the lives and relationships of numerous characters. Jim is such a talented storyteller that the reader quickly becomes immersed and has a ‘bonding experience’ with each of the characters, feeling their joy, fear, passion and pain. Jim’s novel speaks to the empowerment of persistence with the characters as they work through their trials. As a therapist, I appreciated the heartfelt struggles from each of the characters and their diversity. I also found value in the novel’s understanding of society’s misunderstanding of both mental health and other conditions in which people struggle. The novel contains rich exposure to various realities that many of us do not know about . . . but should. When I finished this captivating novel, I was wanting to read the sequel! It was an honor and a wonderful, mesmerizing experience reading this book. Congratulations, Jim!

Jane Holzrichter

I finished it last night around midnight. What a great piece of work. It kept me intrigued all the way to the end.

Sean McArdle, Winchester, England

Retired police officer Potter’s novel centres on very disparate characters and through the tried and tested means of gradually introducing each one, builds a sense of anticipation about what is going to happen to them. This often used methodology is not easy to do well but is superbly handled by Potter who knows how to give enough detail to bring the characters to life, yet not too much so as to slow down the pace of the developing story. A climactic event affects the main characters and it is at this point Potter’s deep knowledge of people and police procedures really hits home; page by page we read how a seemingly simple, though terrible occurrence, can have huge consequences. To Potter’s credit the story does not have a completely conclusive or simplistic ending. Instead it leaves the reader thinking about how the events of a single minute can affect lives forever. I would whole heartedly recommend this book not as a crime novel or even as a novel about crime but as a beautiful and positive affirmation about what it is to be human and how ultimately it is relationships which matter more than events.

Morgan Penner

Taking Back the Bullet is a novel that provides the reader with a window into the world of law enforcement. As the novel unfolds, the reader is able to see how split-second decisions alter the lives of the main characters in the story. Taking Back the Bullet also explores how humanity is impacted by mental illness. One of my favorite quotes from Taking Back the Bullet is “We’re all just a critical moment from being disabled or mentally ill, and we don’t want to think about it.” The novel also provides the reader an opportunity to gain a better understanding of how mental illness impacts the individuals, their family, friends, and society. Taking Back the Bullet is a story of forgiveness and overcoming life’s struggles and tragedies.

Steve Becker

I’m impressed. It was an excellent read. . . . I hope you continue with more projects in the future.

Larry Kruckman, anthropologist

Jim Potter displays ethnographic skills in Taking Back the Bullet: Trajectories of Self-Discovery, creating vivid scenes and fascinating characters. The Greeks had a word for subcultures and people’s behavior: ‘ethos,’ or ‘ways of being.’ In colorful, sometimes marvelous detail, this novel captures various people and settings . . . the ethos of rural Kansas: a jail, art fair, powwow, rehab center, courtroom, albinos, and even someone in the throes of postpartum depression. So detailed are the descriptions that they must be drawn from the author’s personal experience. Besides the artfully created characters such as the struggling jailer and husband Tom Jennings, local artist Jesse Thomas, and Native American Joe Morningcloud, there is a tight story line that grabs your attention and won’t let go. Human tensions, love, conflict, joys and sorrows are all there. Magically, all the many pieces come together in a final crescendo, giving hope that even when we find ourselves in big trouble we can survive. This is a novel I highly recommend!

Larry Kruckman
Anthropologist
Karleen Wilson-Moon

Terrific story relevant to today’s social issues . . . well written . . . likable characters . . . insightful perspective from an insider in law enforcement.

Karleen Wilson-Moon

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